Archangels by James Grant cover art

Archangels

James Grant

30s preview

Key
9B · G major
BPM
121
Open Key
2d
Energy
91/100
Pop
20/100
Length
3:47
Released
2024
Genre
Progressive House
Loudness
-5.6 dB
Dynamics
12.2 dB
ISRC
GBEWA2404058

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Archangels is a club-tempo progressive house track in G major (9B) at 121 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 12 dB). More treble-tilted than 94% of James Grant's catalogue. In a set it works best as a mid-set roller.

Energy:
hotter than 93% of James Grant's catalogue
Brightness:
brighter than 82% of James Grant's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood47Balanced
Groove62
Acoustic0
Instrumental91
Live9
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Archangels in?

Archangels by James Grant is in G major, or 9B on the Camelot wheel.

What BPM is Archangels?

Archangels runs at 121 BPM, a club-tempo track.

What mixes well with Archangels?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Archangels good for peak time?

With energy 91 out of 100 at 121 BPM, it works best as a mid-set roller.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 121 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 121 — beatmatch without a big tempo pull.

More progressive house

More from James Grant

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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