Ballet by Christian Löffler cover art

30s preview

Key
6A · G minor
BPM
118
Open Key
11m
Energy
36/100
Pop
18/100
Length
3:28
Released
2020
Genre
Deep House
Loudness
-14.9 dB
Dynamics
13.0 dB
ISRC
QMFME1924119

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Ballet runs 118 BPM in G minor (6A), a mid-tempo deep house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Darker than 82% of Christian Löffler's catalogue.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy36
Mood4Dark
Groove68
Acoustic88
Instrumental90
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
4%
High
2.5-11 kHz

FAQ

What key is Ballet in?

Ballet by Christian Löffler is in G minor, or 6A on the Camelot wheel.

What BPM is Ballet?

Ballet runs at 118 BPM, a mid-tempo track.

What mixes well with Ballet?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Ballet good for peak time?

With energy 36 out of 100 at 118 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 118 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 118 — beatmatch without a big tempo pull.

More deep house

More from Christian Löffler

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track