Haul (Radio Edit)
30s preview
- BPM
- 118
- Open Key
- 3m
- Energy
- 42/100
- Pop
- 0/100
- Length
- 3:37
- Released
- 2016
- Album
- Haul (feat. Mohna) [Radio Edit]
- Genre
- Deep House
- Loudness
- -15.4 dB
- Dynamics
- 10.5 dB
- ISRC
- DEZ651603551
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Haul - Max Cooper Remixremix10A · 118
- Hauloriginal10A · 118
- Haul (Superpoze Remix)remix9B · 118
- Hauloriginal10A · 118
Against the original (10A at 118 BPM), this version holds the same tempo in the same key.
Haul (Radio Edit): mid-tempo deep house, B minor (10A), 118 BPM. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Christian Löffler's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more bass-heavy than 93% of Christian Löffler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 51%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 2%
- High
- 2.5-11 kHz
FAQ
What key is Haul (Radio Edit) in?
Haul (Radio Edit) by Christian Löffler is in B minor, or 10A on the Camelot wheel.
What BPM is Haul (Radio Edit)?
Haul (Radio Edit) runs at 118 BPM, a mid-tempo track.
What mixes well with Haul (Radio Edit)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Haul (Radio Edit) good for peak time?
With energy 42 out of 100 at 118 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 118 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More deep house
More from Christian Löffler
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
