Lovers Eyes (Mohe Pi Ki Najariya) - (Instrumental) by Damian Lazarus cover art

Lovers Eyes (Mohe Pi Ki Najariya) - (Instrumental)

Damian Lazarus

30s preview

Key
8B · C major
BPM
117
Open Key
1d
Energy
41/100
Pop
0/100
Length
7:19
Released
2014
Album
Lovers' Eyes (Mohe Pi Ki Najariya)
Genre
Tech House
Loudness
-10.5 dB
Dynamics
9.7 dB
ISRC
GB7NR1412602

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (8B at 117 BPM), this version holds the same tempo in the same key.

A mid-tempo tech house cut, Lovers Eyes (Mohe Pi Ki Najariya) - (Instrumental) sits in C major (8B) at 117 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Damian Lazarus's catalogue.

Low end:
more bass-heavy than 95% of Damian Lazarus's catalogue
Groove:
groovier than 92% of Damian Lazarus's catalogue
Energy:
calmer than 84% of Damian Lazarus's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy41
Mood40Balanced
Groove81
Acoustic0
Instrumental86
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
51%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
2%
High
2.5-11 kHz

FAQ

What key is Lovers Eyes (Mohe Pi Ki Najariya) - (Instrumental) in?

Lovers Eyes (Mohe Pi Ki Najariya) - (Instrumental) by Damian Lazarus is in C major, or 8B on the Camelot wheel.

What BPM is Lovers Eyes (Mohe Pi Ki Najariya) - (Instrumental)?

Lovers Eyes (Mohe Pi Ki Najariya) - (Instrumental) runs at 117 BPM, a mid-tempo track.

What mixes well with Lovers Eyes (Mohe Pi Ki Najariya) - (Instrumental)?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Lovers Eyes (Mohe Pi Ki Najariya) - (Instrumental) good for peak time?

With energy 41 out of 100 at 117 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 117 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 117 — beatmatch without a big tempo pull.

More tech house

More from Damian Lazarus

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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