Buenos Aires - Applescal Remix
30s preview
- Key
- 6A · G minor
- BPM
- 116
- Open Key
- 11m
- Energy
- 42/100
- Pop
- 6/100
- Length
- 5:52
- Released
- 2011
- Album
- Buenos Aires
- Genre
- Progressive House
- Label
- Hope Recordings
- Loudness
- -9.9 dB
- Dynamics
- 10.9 dB
- ISRC
- GBDRF1100009
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Buenos Airesoriginal10A · 126
- Buenos Aires - Radio Editversion9A · 126
- Buenos Aires - Terry Lee Brown Jnr Mixoriginal1B · 124
- Buenos Aires - Nicolas Rada Remixremix10A · 122
- Buenos Aires - Deep in Palermo Mixoriginal6B · 127
- Buenos Aires - Mike Griego Deep Mixoriginal9B · 123
Against the original (10A at 126 BPM), this version runs 10 BPM slower and moves the key from 10A to 6A.
Buenos Aires - Applescal Remix is a mid-tempo progressive house track in G minor (6A) at 116 BPM. Tonally it lands balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. Calmer than 98% of Nick Warren's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- groovier than 98% of Nick Warren's catalogue
- Tempo:
- slower than 93% of Nick Warren's catalogue
- Brightness:
- brighter than 84% of Nick Warren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Buenos Aires - Applescal Remix in?
Buenos Aires - Applescal Remix by Nick Warren is in G minor, or 6A on the Camelot wheel.
What BPM is Buenos Aires - Applescal Remix?
Buenos Aires - Applescal Remix runs at 116 BPM, a mid-tempo track.
What mixes well with Buenos Aires - Applescal Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Buenos Aires - Applescal Remix good for peak time?
With energy 42 out of 100 at 116 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 116 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 116 — beatmatch without a big tempo pull.
More progressive house
More from Nick Warren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
