Wounds
30s preview
- Key
- 7B · F major
- BPM
- 116
- Open Key
- 12d
- Energy
- 34/100
- Pop
- 3/100
- Length
- 10:57
- Released
- 2012
- Genre
- Progressive House
- Loudness
- -12.9 dB
- Dynamics
- 14.2 dB
- ISRC
- NLF711206047
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Wounds [Mix Cut] - Original Mixoriginal11A · 119
At 116 BPM in F major (7B), Wounds is a mid-tempo progressive house production. Tonally it lands subdued and even. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. Calmer than 99% of 16BL's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- slower than 98% of 16BL's catalogue
- Groove:
- groovier than 95% of 16BL's catalogue
- Low end:
- more bass-heavy than 85% of 16BL's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Wounds in?
Wounds by 16BL is in F major, or 7B on the Camelot wheel.
What BPM is Wounds?
Wounds runs at 116 BPM, a mid-tempo track.
What mixes well with Wounds?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Wounds good for peak time?
With energy 34 out of 100 at 116 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 116 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 116 — beatmatch without a big tempo pull.
More progressive house
More from 16BL
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
