Woz Not Woz - Stringapella
30s preview
- BPM
- 117
- Open Key
- 3d
- Energy
- 33/100
- Pop
- 0/100
- Length
- 3:07
- Released
- 2004
- Album
- Woz Not Woz
- Genre
- House
- Loudness
- -9.8 dB
- Dynamics
- 13.7 dB
- ISRC
- GBHAD0400026
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Woz Not Wozoriginal2B · 128
- Woz Not Woz - Abysm Remixremix3B · 128
- Woz Not Woz - Club Mixversion2B · 128
- Woz Not Woz - Drum Toolsoriginal3B · 128
- Woz Not Woz - Dub Mixversion2B · 128
- Woz Not Woz - Horny United Remixremix10B · 128
Woz Not Woz - Stringapella: mid-tempo house, D major (10B), 117 BPM. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is focused in the upper-mids, present and forward. The master keeps unusual dynamic range for club music (crest 14 dB). A 2004 production that still circulates in sets. Less groove-driven than 99% of Eric Prydz's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Eric Prydz's catalogue
- Energy:
- calmer than 98% of Eric Prydz's catalogue
- Tempo:
- slower than 97% of Eric Prydz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 21%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 32%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Woz Not Woz - Stringapella in?
Woz Not Woz - Stringapella by Eric Prydz is in D major, or 10B on the Camelot wheel.
What BPM is Woz Not Woz - Stringapella?
Woz Not Woz - Stringapella runs at 117 BPM, a mid-tempo track.
What mixes well with Woz Not Woz - Stringapella?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Woz Not Woz - Stringapella good for peak time?
With energy 33 out of 100 at 117 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 117 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More house
More from Eric Prydz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
