Moody Mondays by Eric Prydz cover art

Moody Mondays

Eric Prydz

30s preview

Key
6B · B♭ major
BPM
125
Open Key
11d
Energy
78/100
Pop
50/100
Length
4:42
Released
2016
Genre
House
Loudness
-5.0 dB
Dynamics
10.2 dB
ISRC
GBUM71507492

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Moody Mondays: club-tempo house, B♭ major (6B), 125 BPM. It reads as punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Better known than 94% of Eric Prydz's catalogue. In a set it works best as a peak-time weapon.

Tempo:
slower than 92% of Eric Prydz's catalogue
Low end:
more bass-heavy than 86% of Eric Prydz's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood42Balanced
Groove64
Acoustic0
Instrumental1
Live5
Speech5
brightpartyvoice

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Moody Mondays in?

Moody Mondays by Eric Prydz is in B♭ major, or 6B on the Camelot wheel.

What BPM is Moody Mondays?

Moody Mondays runs at 125 BPM, a club-tempo track.

What mixes well with Moody Mondays?

From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.

Is Moody Mondays good for peak time?

With energy 78 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

6B5B · 7B · 6A

From 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.

Every move from 6B

7BSimple Mix Upper
5BSimple Mix Downer
6ATonal Shift·
7ADiagonal Mix Upper
5ADiagonal Mix Downer
9ACompatible Tone·
8BHigh Energy Boost▲▲▲
4BHigh Energy Drain▼▼▼
9BParallel Key Upper▲▲
3BParallel Key Downer▼▼
1BTritone Jump▲▲
10BRelated Keyrisky

How to mix it

In 6B at 125 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 78/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More house

More from Eric Prydz

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track