Call on Me - Remastered
- BPM
- 126
- Open Key
- 11d
- Energy
- 73/100
- Pop
- 43/100
- Length
- 2:52
- Released
- 2020
- Album
- Call on Me (Remastered)
- Genre
- House
- Loudness
- -9.1 dB
- ISRC
- GB1102000140
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Call On Me (Henrik B Remix)remix3A · 128
- Call on Meoriginal6B · 126
- Call On Me - Eric Prydz vs. Retarded Funk Mixoriginal1B · 126
- Call on me - Filterheadz Remixremix6A · 132
- Call On Me - JJ Stockholm Club Mix Remixremix6B · 128
- Call on me - Red Kult Dub Pass 2 Mixversion9A · 128
A club-tempo house cut, Call on Me - Remastered sits in B♭ major (6B) at 126 BPM. The feel is punchy, neutral in mood. It is vocal-led. Spoken-word passages run through it. Better known than 90% of Eric Prydz's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 80% of Eric Prydz's catalogue
- Tempo:
- slower than 78% of Eric Prydz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Call on Me - Remastered in?
Call on Me - Remastered by Eric Prydz is in B♭ major, or 6B on the Camelot wheel.
What BPM is Call on Me - Remastered?
Call on Me - Remastered runs at 126 BPM, a club-tempo track.
What mixes well with Call on Me - Remastered?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Call on Me - Remastered good for peak time?
With energy 73 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 126 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Eric Prydz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
