Opus
30s preview
- BPM
- 125
- Open Key
- 4m
- Energy
- 72/100
- Pop
- 66/100
- Length
- 9:03
- Released
- 2015
- Genre
- Progressive House
- Label
- Pryda Recordings
- Loudness
- -6.2 dB
- Dynamics
- 19.2 dB
- ISRC
- GB6CM1500105
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Opus - Four Tet Remixremix11A · 126
A club-tempo progressive house cut, Opus sits in F♯ minor (11A) at 125 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 19 dB). A 2015 production that still circulates in sets. Less groove-driven than 99% of Eric Prydz's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more treble-tilted than 99% of Eric Prydz's catalogue
- Reach:
- better known than 98% of Eric Prydz's catalogue
- Tempo:
- slower than 92% of Eric Prydz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 18%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 29%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Opus in?
Opus by Eric Prydz is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Opus?
Opus runs at 125 BPM, a club-tempo track.
What mixes well with Opus?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Opus good for peak time?
With energy 72 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
![Operator (Ring Ring) [feat. Dances With White Girls] - Will Clarke Remix by Chris Lake cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/23bd289d898d58249bf3.webp){kind=small}
How to mix it
In 11A at 125 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Eric Prydz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
