One Too Many - Original Mix
- Key
- 5A · C minor
- BPM
- 125
- Open Key
- 10m
- Energy
- 72/100
- Pop
- 0/100
- Length
- 7:46
- Released
- 2005
- Album
- One Too Many / Electro Retro
- Genre
- House
- Loudness
- -6.3 dB
- ISRC
- GBLNZ0500001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, One Too Many - Original Mix sits in C minor (5A) at 125 BPM. A 2005 production that still circulates in sets. More underground than 99% of Chris Lake's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 90% of Chris Lake's catalogue
- Groove:
- groovier than 86% of Chris Lake's catalogue
- Energy:
- calmer than 85% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is One Too Many - Original Mix in?
One Too Many - Original Mix by Chris Lake is in C minor, or 5A on the Camelot wheel.
What BPM is One Too Many - Original Mix?
One Too Many - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with One Too Many - Original Mix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is One Too Many - Original Mix good for peak time?
With energy 72 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 125 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
