From Here To There
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 77/100
- Pop
- 0/100
- Length
- 7:14
- Released
- 2013
- Genre
- Techno
- Loudness
- -10.1 dB
- ISRC
- FR9W11307999
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- From Here To There - Paul Ritch Remixremix8B · 126
- From Here To There - ROD Remix Oneremix3B · 128
- From Here To There - ROD Remix Tworemix4A · 125
From Here To There runs 125 BPM in F minor (4A), a club-tempo techno record. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Alan Fitzpatrick's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 91% of Alan Fitzpatrick's catalogue
- Tempo:
- slower than 85% of Alan Fitzpatrick's catalogue
- Brightness:
- brighter than 83% of Alan Fitzpatrick's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is From Here To There in?
From Here To There by Alan Fitzpatrick is in F minor, or 4A on the Camelot wheel.
What BPM is From Here To There?
From Here To There runs at 125 BPM, a club-tempo track.
What mixes well with From Here To There?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is From Here To There good for peak time?
With energy 77 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Alan Fitzpatrick
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
