Lost in the night - Instrumental Mix
30s preview
- Key
- 6A · G minor
- BPM
- 125
- Open Key
- 11m
- Energy
- 69/100
- Pop
- 5/100
- Length
- 5:40
- Released
- 2025
- Album
- Lost in the night
- Genre
- Tech House
- Loudness
- -8.6 dB
- Dynamics
- 14.3 dB
- ISRC
- GBKQU2502706
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lost in the nightoriginal6A · 125
- Lost in the night (Radio Edit)version6A · 125
Against the original (6A at 125 BPM), this version holds the same tempo in the same key.
Lost in the night - Instrumental Mix: club-tempo tech house, G minor (6A), 125 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). Groovier than 99% of Betoko's catalogue.
- Low end:
- more bass-heavy than 84% of Betoko's catalogue
- Reach:
- better known than 80% of Betoko's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Lost in the night - Instrumental Mix in?
Lost in the night - Instrumental Mix by Betoko is in G minor, or 6A on the Camelot wheel.
What BPM is Lost in the night - Instrumental Mix?
Lost in the night - Instrumental Mix runs at 125 BPM, a club-tempo track.
What mixes well with Lost in the night - Instrumental Mix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Lost in the night - Instrumental Mix good for peak time?
With energy 69 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 125 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Betoko
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
