Raining Again - Gustavo Mota Remix
- BPM
- 128
- Open Key
- 8d
- Energy
- 79/100
- Pop
- 24/100
- Length
- 3:37
- Released
- 2025
- Album
- Raining Again (Gustavo Mota Remix)
- Genre
- Tech House
- Loudness
- -6.0 dB
- ISRC
- GBKQU2580371
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Raining Again (Secret Echoes Remix)remix3B · 123
- Raining Again - Roger Sanchez Black Rain Remixremix2B · 125
- Raining Again - Kolombo Remixremix3B · 128
- Raining Again - Betoko Remixremix5A · 125
- Raining Again - Sharam Jey & Bakka (BR) Remixremix3B · 124
- Raining Again (Etch (EG) & Hunter (TN) Remix)remix2B · 120
Raining Again - Gustavo Mota Remix: peak-time tempo tech house, D♭ major (3B), 128 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. Better known than 98% of Betoko's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 95% of Betoko's catalogue
- Brightness:
- brighter than 85% of Betoko's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Raining Again - Gustavo Mota Remix in?
Raining Again - Gustavo Mota Remix by Betoko is in D♭ major, or 3B on the Camelot wheel.
What BPM is Raining Again - Gustavo Mota Remix?
Raining Again - Gustavo Mota Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Raining Again - Gustavo Mota Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Raining Again - Gustavo Mota Remix good for peak time?
With energy 79 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Betoko
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
