Everybody by Space Motion cover art

Everybody

Space Motion

30s preview

Key
3A · B♭ minor
BPM
128
Open Key
8m
Energy
80/100
Pop
17/100
Length
3:07
Released
2026
Genre
Progressive House
Loudness
-5.0 dB
Dynamics
14.0 dB
ISRC
NLHR22290136

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Everybody runs 128 BPM in B♭ minor (3A), a peak-time tempo progressive house record. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 96% of Space Motion's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 94% of Space Motion's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood27Dark
Groove71
Acoustic0
Instrumental30
Live34
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Everybody in?

Everybody by Space Motion is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Everybody?

Everybody runs at 128 BPM, a peak-time tempo track.

What mixes well with Everybody?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Everybody good for peak time?

With energy 80 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 80/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More progressive house

More from Space Motion

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track