We Left - Beaumont Remix
- Key
- 8B · C major
- BPM
- 128
- Open Key
- 1d
- Energy
- 79/100
- Pop
- 0/100
- Length
- 5:02
- Released
- 2011
- Album
- We Left
- Genre
- Dance Pop
- Loudness
- -6.2 dB
- ISRC
- FR6V80555883
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Leftoriginal8B · 124
- We Leftoriginal8B · 124
- We Left (Night Version)original8A · 120
- We Left - Broke One Remixremix10B · 120
- We Left - Extended Mixversion7A · 124
- We Left - Freak You Editversion8A · 118
Against the original (8B at 124 BPM), this version runs 4 BPM faster in the same key.
We Left - Beaumont Remix: peak-time tempo dance pop, C major (8B), 128 BPM. A 2011 production that still circulates in sets. More underground than 99% of Rufus Du Sol's catalogue.
- Tempo:
- faster than 93% of Rufus Du Sol's catalogue
- Brightness:
- brighter than 87% of Rufus Du Sol's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is We Left - Beaumont Remix in?
We Left - Beaumont Remix by Rufus Du Sol is in C major, or 8B on the Camelot wheel.
What BPM is We Left - Beaumont Remix?
We Left - Beaumont Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with We Left - Beaumont Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is We Left - Beaumont Remix good for peak time?
With energy 79 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More dance pop
More from Rufus Du Sol
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
