Abduction by Enzo Siragusa cover art

Abduction

Enzo Siragusa

30s preview

Key
9B · G major
BPM
128
Open Key
2d
Energy
82/100
Pop
0/100
Length
7:02
Released
2020
Album
Weird Things EP
Genre
Tech House
Loudness
-7.3 dB
Dynamics
10.9 dB
ISRC
UK6GD2000017

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Abduction: peak-time tempo tech house, G major (9B), 128 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 99% of Enzo Siragusa's catalogue. In a set it works best as a peak-time weapon.

Reach:
more underground than 99% of Enzo Siragusa's catalogue
Low end:
more bass-heavy than 86% of Enzo Siragusa's catalogue
Groove:
less groove-driven than 83% of Enzo Siragusa's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood4Dark
Groove79
Acoustic1
Instrumental91
Live7
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
47%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
7%
High
2.5-11 kHz

FAQ

What key is Abduction in?

Abduction by Enzo Siragusa is in G major, or 9B on the Camelot wheel.

What BPM is Abduction?

Abduction runs at 128 BPM, a peak-time tempo track.

What mixes well with Abduction?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Abduction good for peak time?

With energy 82 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 82/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More tech house

More from Enzo Siragusa

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track