We Left
30s preview
- Key
- 8B · C major
- BPM
- 124
- Open Key
- 1d
- Energy
- 75/100
- Pop
- 50/100
- Length
- 3:49
- Released
- 2011
- Album
- Rufus EP
- Genre
- Dance Pop
- Loudness
- -6.1 dB
- Dynamics
- 12.2 dB
- ISRC
- TCAAT1021147
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Leftoriginal8B · 124
- We Left (Night Version)original8A · 120
- We Left - Beaumont Remixremix8B · 128
- We Left - Broke One Remixremix10B · 120
- We Left - Extended Mixversion7A · 124
- We Left - Freak You Editversion8A · 118
We Left: club-tempo dance pop, C major (8B), 124 BPM. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. Darker than 85% of Rufus Du Sol's catalogue.
- Reach:
- better known than 84% of Rufus Du Sol's catalogue
- Low end:
- more treble-tilted than 83% of Rufus Du Sol's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is We Left in?
We Left by Rufus Du Sol is in C major, or 8B on the Camelot wheel.
What BPM is We Left?
We Left runs at 124 BPM, a club-tempo track.
What mixes well with We Left?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is We Left good for peak time?
With energy 75 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 124 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More dance pop
More from Rufus Du Sol
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
