Psycho by Chris Lake cover art

30s preview

Key
8B · C major
BPM
126
Open Key
1d
Energy
96/100
Pop
56/100
Length
2:10
Released
2025
Genre
House
Loudness
-5.7 dB
Dynamics
11.1 dB
ISRC
GXFCP2500087

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A club-tempo house cut, Psycho sits in C major (8B) at 126 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 95% of Chris Lake's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 91% of Chris Lake's catalogue
Tempo:
slower than 82% of Chris Lake's catalogue
Brightness:
brighter than 81% of Chris Lake's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood74Bright
Groove74
Acoustic0
Instrumental15
Live77
Speech21

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Psycho in?

Psycho by Chris Lake is in C major, or 8B on the Camelot wheel.

What BPM is Psycho?

Psycho runs at 126 BPM, a club-tempo track.

What mixes well with Psycho?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Psycho good for peak time?

With energy 96 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 126 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More house

More from Chris Lake

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track