We Are
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 95/100
- Pop
- 6/100
- Length
- 6:49
- Released
- 2002
- Genre
- House
- Label
- Cyclik
- Loudness
- -8.2 dB
- Dynamics
- 15.7 dB
- ISRC
- FR27U0100112
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Are - Jimmy Van De Velde Remixremix1B · 128
- We Are - Sebastien Leger Remixremix3A · 130
A club-tempo house cut, We Are sits in D♭ major (3B) at 126 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). A 2002 production that still circulates in sets. More treble-tilted than 97% of Sébastien Léger's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 87% of Sébastien Léger's catalogue
- Groove:
- less groove-driven than 81% of Sébastien Léger's catalogue
- Brightness:
- darker than 77% of Sébastien Léger's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is We Are in?
We Are by Sébastien Léger is in D♭ major, or 3B on the Camelot wheel.
What BPM is We Are?
We Are runs at 126 BPM, a club-tempo track.
What mixes well with We Are?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is We Are good for peak time?
With energy 95 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Sébastien Léger
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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