Secrets In The Dark - Alex Kenji Remix
- Key
- 9A · E minor
- BPM
- 126
- Open Key
- 2m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 6:37
- Released
- 2011
- Album
- Secrets In The Dark
- Genre
- House
- Loudness
- -7.2 dB
- ISRC
- GBLNZ1100168
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Secrets In The Dark - Hector Couto Remixremix12A · 124
- Secrets In The Dark - Radio Editversion1B · 126
- Secrets in the Darkoriginal10A · 126
Against the original (10A at 126 BPM), this version holds the same tempo and moves the key from 10A to 9A.
Secrets In The Dark - Alex Kenji Remix is a club-tempo house track in E minor (9A) at 126 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Chris Lake's catalogue.
- Brightness:
- brighter than 97% of Chris Lake's catalogue
- Groove:
- groovier than 89% of Chris Lake's catalogue
- Energy:
- hotter than 87% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Secrets In The Dark - Alex Kenji Remix in?
Secrets In The Dark - Alex Kenji Remix by Chris Lake is in E minor, or 9A on the Camelot wheel.
What BPM is Secrets In The Dark - Alex Kenji Remix?
Secrets In The Dark - Alex Kenji Remix runs at 126 BPM, a club-tempo track.
What mixes well with Secrets In The Dark - Alex Kenji Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Secrets In The Dark - Alex Kenji Remix good for peak time?
With energy 95 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 126 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
