Looking at Your Pager - Chris Lake Remix
30s preview
- BPM
- 126
- Open Key
- 3m
- Energy
- 94/100
- Pop
- 17/100
- Length
- 3:39
- Released
- 2022
- Album
- Looking at Your Pager (Chris Lake Remix)
- Genre
- House
- Loudness
- -6.3 dB
- Dynamics
- 10.9 dB
- ISRC
- GBCEN2200183
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Looking at Your Pager - Chris Lake Remix is a club-tempo house track in B minor (10A) at 126 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. More treble-tilted than 87% of Chris Lake's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 84% of Chris Lake's catalogue
- Tempo:
- slower than 82% of Chris Lake's catalogue
- Groove:
- groovier than 77% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Looking at Your Pager - Chris Lake Remix in?
Looking at Your Pager - Chris Lake Remix by Chris Lake is in B minor, or 10A on the Camelot wheel.
What BPM is Looking at Your Pager - Chris Lake Remix?
Looking at Your Pager - Chris Lake Remix runs at 126 BPM, a club-tempo track.
What mixes well with Looking at Your Pager - Chris Lake Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Looking at Your Pager - Chris Lake Remix good for peak time?
With energy 94 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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