In The Yuma (feat. Aatig)
30s preview
- BPM
- 126
- Open Key
- 5m
- Energy
- 90/100
- Pop
- 64/100
- Length
- 2:36
- Released
- 2022
- Genre
- House
- Loudness
- -4.8 dB
- Dynamics
- 11.7 dB
- ISRC
- USUG12207808
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- In The Yuma (extended mix)version11A · 126
- In The Yuma (feat. Aatig) [Four Tet Remix]remix9A · 127
At 126 BPM in D♭ minor (12A), In The Yuma (feat. Aatig) is a club-tempo house production. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Brighter than 98% of Chris Lake's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 97% of Chris Lake's catalogue
- Groove:
- groovier than 84% of Chris Lake's catalogue
- Tempo:
- slower than 82% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is In The Yuma (feat. Aatig) in?
In The Yuma (feat. Aatig) by Chris Lake is in D♭ minor, or 12A on the Camelot wheel.
What BPM is In The Yuma (feat. Aatig)?
In The Yuma (feat. Aatig) runs at 126 BPM, a club-tempo track.
What mixes well with In The Yuma (feat. Aatig)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is In The Yuma (feat. Aatig) good for peak time?
With energy 90 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
![Give Her Right Back ft. [Dances With White Girls] by Chris Lake cover art](https://i.scdn.co/image/ab67616d00001e027b26d877a322bba79b4cac1d){kind=small}
How to mix it
In 12A at 126 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
