In The Yuma (extended mix)
30s preview
- BPM
- 126
- Open Key
- 4m
- Energy
- 67/100
- Pop
- 40/100
- Length
- 3:30
- Released
- 2022
- Genre
- House
- Loudness
- -8.2 dB
- Dynamics
- 8.8 dB
- ISRC
- USUG12404307
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- In The Yuma (feat. Aatig)original12A · 126
- In The Yuma (feat. Aatig) [Four Tet Remix]remix9A · 127
Against the original (12A at 126 BPM), this version holds the same tempo and moves the key from 12A to 11A.
In The Yuma (extended mix) runs 126 BPM in F♯ minor (11A), a club-tempo house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 94% of Chris Lake's catalogue.
- Energy:
- calmer than 91% of Chris Lake's catalogue
- Groove:
- groovier than 85% of Chris Lake's catalogue
- Reach:
- better known than 84% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is In The Yuma (extended mix) in?
In The Yuma (extended mix) by Chris Lake is in F♯ minor, or 11A on the Camelot wheel.
What BPM is In The Yuma (extended mix)?
In The Yuma (extended mix) runs at 126 BPM, a club-tempo track.
What mixes well with In The Yuma (extended mix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is In The Yuma (extended mix) good for peak time?
With energy 67 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 126 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
