![In The Yuma (feat. Aatig) [Four Tet Remix] by Chris Lake cover art](https://i.scdn.co/image/ab67616d00001e0245b7c4b7f6ea9f98b68a3cf0)
In The Yuma (feat. Aatig) [Four Tet Remix]
30s preview
- Key
- 9A · E minor
- BPM
- 127
- Open Key
- 2m
- Energy
- 78/100
- Pop
- 27/100
- Length
- 4:49
- Released
- 2023
- Genre
- House
- Loudness
- -4.9 dB
- Dynamics
- 11.2 dB
- ISRC
- USUG12303944
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- In The Yuma (feat. Aatig)original12A · 126
- In The Yuma (extended mix)version11A · 126
Against the original (12A at 126 BPM), this version runs 1 BPM faster and moves the key from 12A to 9A.
In The Yuma (feat. Aatig) [Four Tet Remix] runs 127 BPM in E minor (9A), a peak-time tempo house record. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Groovier than 78% of Chris Lake's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 77% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is In The Yuma (feat. Aatig) [Four Tet Remix] in?
In The Yuma (feat. Aatig) [Four Tet Remix] by Chris Lake is in E minor, or 9A on the Camelot wheel.
What BPM is In The Yuma (feat. Aatig) [Four Tet Remix]?
In The Yuma (feat. Aatig) [Four Tet Remix] runs at 127 BPM, a peak-time tempo track.
What mixes well with In The Yuma (feat. Aatig) [Four Tet Remix]?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is In The Yuma (feat. Aatig) [Four Tet Remix] good for peak time?
With energy 78 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 127 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
