Take Ü There (feat. Kiesza) - Tchami Remix
30s preview
- BPM
- 127
- Open Key
- 4m
- Energy
- 80/100
- Pop
- 29/100
- Length
- 4:34
- Released
- 2014
- Album
- Take Ü There (feat. Kiesza) [Remixes]
- Genre
- Dubstep
- Loudness
- -3.4 dB
- Dynamics
- 14.9 dB
- ISRC
- USAT21405322
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Take Ü There (feat. Kiesza) - Zeds Dead Remixremix9A · 152
- Take Ü There (feat. Kiesza)original11A · 160
- Take Ü There (feat. Kiesza) - Missy Elliott Remixremix11A · 160
- Take Ü There (feat. Kiesza) - Netsky Remixremix11B · 174
- Take Ü There (feat. Kiesza) - TJR Remixremix7A · 130
- Take Ü There (feat. Kiesza) - Tujamo Remixremix11A · 130
Against the original (11A at 160 BPM), this version runs 33 BPM slower in the same key.
Take Ü There (feat. Kiesza) - Tchami Remix: peak-time tempo dubstep, F♯ minor (11A), 127 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). A 2014 production that still circulates in sets. More treble-tilted than 99% of Skrillex's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 80% of Skrillex's catalogue
- Groove:
- groovier than 78% of Skrillex's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Take Ü There (feat. Kiesza) - Tchami Remix in?
Take Ü There (feat. Kiesza) - Tchami Remix by Skrillex is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Take Ü There (feat. Kiesza) - Tchami Remix?
Take Ü There (feat. Kiesza) - Tchami Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Take Ü There (feat. Kiesza) - Tchami Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Take Ü There (feat. Kiesza) - Tchami Remix good for peak time?
With energy 80 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 127 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
