Take Ü There (feat. Kiesza) - Netsky Remix
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 4d
- Energy
- 78/100
- Pop
- 21/100
- Length
- 3:30
- Released
- 2014
- Album
- Take Ü There (feat. Kiesza) [Remixes]
- Genre
- Dubstep
- Loudness
- -4.5 dB
- Dynamics
- 8.9 dB
- ISRC
- USAT21405319
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Take Ü There (feat. Kiesza) - Zeds Dead Remixremix9A · 152
- Take Ü There (feat. Kiesza)original11A · 160
- Take Ü There (feat. Kiesza) - Tchami Remixremix11A · 127
- Take Ü There (feat. Kiesza) - Missy Elliott Remixremix11A · 160
- Take Ü There (feat. Kiesza) - TJR Remixremix7A · 130
- Take Ü There (feat. Kiesza) - Tujamo Remixremix11A · 130
Against the original (11A at 160 BPM), this version runs 14 BPM faster and moves the key from 11A to 11B.
Take Ü There (feat. Kiesza) - Netsky Remix runs 174 BPM in A major (11B), a dubstep record. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2014 production that still circulates in sets. Faster than 96% of Skrillex's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- less groove-driven than 81% of Skrillex's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Take Ü There (feat. Kiesza) - Netsky Remix in?
Take Ü There (feat. Kiesza) - Netsky Remix by Skrillex is in A major, or 11B on the Camelot wheel.
What BPM is Take Ü There (feat. Kiesza) - Netsky Remix?
Take Ü There (feat. Kiesza) - Netsky Remix runs at 174 BPM.
What mixes well with Take Ü There (feat. Kiesza) - Netsky Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Take Ü There (feat. Kiesza) - Netsky Remix good for peak time?
With energy 78 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 174 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More dubstep
More from Skrillex
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
