Guilt - Culture Shock Remix
- BPM
- 174
- Half-time
- 87
- Open Key
- 8m
- Energy
- 95/100
- Pop
- 8/100
- Length
- 4:51
- Released
- 2011
- Album
- Guilt
- Genre
- Dubstep
- Label
- More Than Alot Records
- Loudness
- -4.2 dB
- ISRC
- GB6UF1000019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Guilt - Radio Editversion4A · 136
- Guiltoriginal4A · 139
- Guilt - Nero VIP Mixoriginal3A · 140
- Guilt - Alternative Versionoriginal4A · 138
Against the original (4A at 139 BPM), this version runs 35 BPM faster and moves the key from 4A to 3A.
Guilt - Culture Shock Remix: dubstep, B♭ minor (3A), 174 BPM. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2011 production that still circulates in sets. Faster than 85% of Nero's catalogue. In a set it works best as an opener or closing-set piece.
- Energy:
- hotter than 81% of Nero's catalogue
- Groove:
- less groove-driven than 77% of Nero's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Guilt - Culture Shock Remix in?
Guilt - Culture Shock Remix by Nero is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Guilt - Culture Shock Remix?
Guilt - Culture Shock Remix runs at 174 BPM.
What mixes well with Guilt - Culture Shock Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Guilt - Culture Shock Remix good for peak time?
With energy 95 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 174 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More dubstep
More from Nero
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
