It Comes and It Goes
30s preview
- BPM
- 198
- Half-time
- 99
- Open Key
- 4m
- Energy
- 89/100
- Pop
- 39/100
- Length
- 4:02
- Released
- 2015
- Genre
- Drum N Bass
- Loudness
- -3.6 dB
- Dynamics
- 13.7 dB
- ISRC
- GBUM71502393
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
It Comes and It Goes runs 198 BPM in F♯ minor (11A), a drum n bass record. The feel is dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2015 production that still circulates in sets. Faster than 99% of Nero's catalogue. For programming, treat it as an opener or closing-set piece.
- Low end:
- more treble-tilted than 99% of Nero's catalogue
- Groove:
- less groove-driven than 97% of Nero's catalogue
- Reach:
- better known than 94% of Nero's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 23%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is It Comes and It Goes in?
It Comes and It Goes by Nero is in F♯ minor, or 11A on the Camelot wheel.
What BPM is It Comes and It Goes?
It Comes and It Goes runs at 198 BPM.
What mixes well with It Comes and It Goes?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is It Comes and It Goes good for peak time?
With energy 89 out of 100 at 198 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 198 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 186-210 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 198 — beatmatch without a big tempo pull.
More drum n bass
More from Nero
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 198 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
