Across the Graveyard
- BPM
- 103
- Open Key
- 3m
- Energy
- 59/100
- Pop
- 0/100
- Length
- 4:23
- Released
- 2009
- Genre
- Downtempo
- Loudness
- -14.3 dB
- ISRC
- GBW231800040
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Across the Graveyard runs 103 BPM in B minor (10A), a slow-groove tempo downtempo record. The feel is balanced in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Röyksopp's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 88% of Röyksopp's catalogue
- Tempo:
- slower than 81% of Röyksopp's catalogue
- Brightness:
- brighter than 76% of Röyksopp's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Across the Graveyard in?
Across the Graveyard by Röyksopp is in B minor, or 10A on the Camelot wheel.
What BPM is Across the Graveyard?
Across the Graveyard runs at 103 BPM, a slow-groove tempo track.
What mixes well with Across the Graveyard?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Across the Graveyard good for peak time?
With energy 59 out of 100 at 103 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 103 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 97-109 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 103 — beatmatch without a big tempo pull.
More downtempo
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 103 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
