Fucking Happy Up Here
- BPM
- 104
- Open Key
- 11d
- Energy
- 88/100
- Pop
- 45/100
- Length
- 2:44
- Released
- 2009
- Genre
- Downtempo
- Loudness
- -3.8 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 104 BPM in B♭ major (6B), Fucking Happy Up Here is a slow-groove tempo downtempo production. The feel is bright and euphoric. It is vocal-led. The master is loud and heavily compressed. A 2009 production that still circulates in sets. Better known than 98% of Röyksopp's catalogue.
- Brightness:
- brighter than 87% of Röyksopp's catalogue
- Tempo:
- slower than 81% of Röyksopp's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Fucking Happy Up Here in?
Fucking Happy Up Here by Röyksopp is in B♭ major, or 6B on the Camelot wheel.
What BPM is Fucking Happy Up Here?
Fucking Happy Up Here runs at 104 BPM, a slow-groove tempo track.
What mixes well with Fucking Happy Up Here?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Fucking Happy Up Here good for peak time?
With energy 88 out of 100 at 104 BPM, it works best as a mid-set roller.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 104 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 98-110 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 104 — beatmatch without a big tempo pull.
More downtempo
More from Röyksopp
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 104 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.