Beautiful Day Without You - Dave Bascombe Radio Version
30s preview
- Key
- 6A · G minor
- BPM
- 110
- Open Key
- 11m
- Energy
- 72/100
- Pop
- 5/100
- Length
- 3:13
- Released
- 2006
- Album
- Beautiful Day Without You
- Genre
- House
- Label
- Wall Of Sound
- Loudness
- -10.2 dB
- Dynamics
- 14.0 dB
- ISRC
- FRS940500161
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Beautiful Day Without Youoriginal6A · 110
Against the original (6A at 110 BPM), this version holds the same tempo in the same key.
Beautiful Day Without You - Dave Bascombe Radio Version runs 110 BPM in G minor (6A), a mid-tempo house record. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2006 production that still circulates in sets. Brighter than 81% of Röyksopp's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 76% of Röyksopp's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Beautiful Day Without You - Dave Bascombe Radio Version in?
Beautiful Day Without You - Dave Bascombe Radio Version by Röyksopp is in G minor, or 6A on the Camelot wheel.
What BPM is Beautiful Day Without You - Dave Bascombe Radio Version?
Beautiful Day Without You - Dave Bascombe Radio Version runs at 110 BPM, a mid-tempo track.
What mixes well with Beautiful Day Without You - Dave Bascombe Radio Version?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Beautiful Day Without You - Dave Bascombe Radio Version good for peak time?
With energy 72 out of 100 at 110 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
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How to mix it
In 6A at 110 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
