Wasted by Nero cover art

Wasted

Nero

30s preview

Key
10A · B minor
BPM
108
Open Key
3m
Energy
60/100
Pop
21/100
Length
4:54
Released
2015
Genre
Drum N Bass
Loudness
-5.9 dB
Dynamics
11.7 dB
ISRC
GBUM71502391

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Wasted is a mid-tempo drum n bass track in B minor (10A) at 108 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. Calmer than 92% of Nero's catalogue. In a set it works best as a mid-set roller.

Groove:
less groove-driven than 90% of Nero's catalogue
Tempo:
slower than 89% of Nero's catalogue
Low end:
more treble-tilted than 80% of Nero's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy60
Mood22Dark
Groove22
Acoustic6
Instrumental1
Live6
Speech4
darkpartyvoice

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Wasted in?

Wasted by Nero is in B minor, or 10A on the Camelot wheel.

What BPM is Wasted?

Wasted runs at 108 BPM, a mid-tempo track.

What mixes well with Wasted?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Wasted good for peak time?

With energy 60 out of 100 at 108 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 108 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 102-114 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 108 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 108 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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