Onyx (feat. Oberst & Buchner)
30s preview
- BPM
- 112
- Open Key
- 4d
- Energy
- 74/100
- Pop
- 0/100
- Length
- 6:34
- Released
- 2021
- Album
- Happy Little Accidents, Pt. 2
- Genre
- Electro
- Loudness
- -12.1 dB
- Dynamics
- 11.1 dB
- ISRC
- QM4TW2165336
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Onyxoriginal11B · 112
A mid-tempo electro cut, Onyx (feat. Oberst & Buchner) sits in A major (11B) at 112 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Kalipo's catalogue.
- Tempo:
- slower than 92% of Kalipo's catalogue
- Brightness:
- darker than 77% of Kalipo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Onyx (feat. Oberst & Buchner) in?
Onyx (feat. Oberst & Buchner) by Kalipo is in A major, or 11B on the Camelot wheel.
What BPM is Onyx (feat. Oberst & Buchner)?
Onyx (feat. Oberst & Buchner) runs at 112 BPM, a mid-tempo track.
What mixes well with Onyx (feat. Oberst & Buchner)?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Onyx (feat. Oberst & Buchner) good for peak time?
With energy 74 out of 100 at 112 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 112 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
More electro
More from Kalipo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
