Listen to You by Kalipo cover art

Listen to You

Kalipo

30s preview

Key
6B · B♭ major
BPM
112
Open Key
11d
Energy
77/100
Pop
4/100
Length
7:43
Released
2014
Genre
Electro
Loudness
-10.6 dB
Dynamics
16.4 dB
ISRC
DEZ651341424

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A mid-tempo electro cut, Listen to You sits in B♭ major (6B) at 112 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2014 production that still circulates in sets. More treble-tilted than 98% of Kalipo's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 92% of Kalipo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy77
Mood27Dark
Groove60
Acoustic29
Instrumental93
Live38
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
26%
Low
30-130 Hz
36%
Low-mid
130-570 Hz
28%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Listen to You in?

Listen to You by Kalipo is in B♭ major, or 6B on the Camelot wheel.

What BPM is Listen to You?

Listen to You runs at 112 BPM, a mid-tempo track.

What mixes well with Listen to You?

From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.

Is Listen to You good for peak time?

With energy 77 out of 100 at 112 BPM, it works best as a mid-set roller.

Mixes harmonically

6B5B · 7B · 6A

From 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.

Every move from 6B

7BSimple Mix Upper
5BSimple Mix Downer
6ATonal Shift·
7ADiagonal Mix Upper
5ADiagonal Mix Downer
9ACompatible Tone·
8BHigh Energy Boost▲▲▲
4BHigh Energy Drain▼▼▼
9BParallel Key Upper▲▲
3BParallel Key Downer▼▼
1BTritone Jump▲▲
10BRelated Keyrisky

How to mix it

In 6B at 112 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.

Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 112 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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