Summit by Marsh cover art

Summit

Marsh

30s preview

Key
2A · E♭ minor
BPM
112
Open Key
7m
Energy
75/100
Pop
1/100
Length
3:51
Released
2017
Genre
Deep House
Loudness
-6.9 dB
Dynamics
14.1 dB
ISRC
US83Z1775403

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Summit: mid-tempo deep house, E♭ minor (2A), 112 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 14 dB). A 2017 production that still circulates in sets. Slower than 98% of Marsh's catalogue. For programming, treat it as a mid-set roller.

Groove:
less groove-driven than 98% of Marsh's catalogue
Brightness:
darker than 96% of Marsh's catalogue
Low end:
more treble-tilted than 94% of Marsh's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood4Dark
Groove40
Acoustic63
Instrumental0
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
24%
Low
30-130 Hz
47%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
5%
High
2.5-11 kHz

FAQ

What key is Summit in?

Summit by Marsh is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Summit?

Summit runs at 112 BPM, a mid-tempo track.

What mixes well with Summit?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Summit good for peak time?

With energy 75 out of 100 at 112 BPM, it works best as a mid-set roller.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 112 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 112 — beatmatch without a big tempo pull.

#Track

More deep house

More from Marsh

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track