High Noon by Tilman cover art

High Noon

Tilman

30s preview

Key
7B · F major
BPM
114
Open Key
12d
Energy
60/100
Pop
0/100
Length
6:55
Released
2014
Album
Mild Western EP
Genre
House
Loudness
-10.8 dB
Dynamics
13.0 dB
ISRC
DEKB71433605

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

High Noon runs 114 BPM in F major (7B), a mid-tempo house record. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2014 production that still circulates in sets. More underground than 99% of Tilman's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 96% of Tilman's catalogue
Energy:
calmer than 91% of Tilman's catalogue
Brightness:
brighter than 86% of Tilman's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy60
Mood83Bright
Groove79
Acoustic0
Instrumental34
Live4
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is High Noon in?

High Noon by Tilman is in F major, or 7B on the Camelot wheel.

What BPM is High Noon?

High Noon runs at 114 BPM, a mid-tempo track.

What mixes well with High Noon?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is High Noon good for peak time?

With energy 60 out of 100 at 114 BPM, it works best as a mid-set roller.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 114 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 114 — beatmatch without a big tempo pull.

More house

More from Tilman

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track