Come With Me - DBMM Remix
30s preview
- BPM
- 115
- Open Key
- 4m
- Energy
- 60/100
- Pop
- 17/100
- Length
- 6:48
- Released
- 2013
- Album
- Come With Me (The Remixes)
- Genre
- Progressive House
- Loudness
- -6.8 dB
- Dynamics
- 12.9 dB
- ISRC
- CH3131311471
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come With Me - Satin Jackets Remixremix11A · 114
- Come With Me - KR$CHN Remixremix8A · 101
- Come with Me - Slowed + Reverboriginal5A · 85
- Come With Me - DBMM Radio Editversion11A · 115
- Come With Me - Satin Jackets Radio Editversion11A · 114
- Come With Me - Vanilla Ace Remixremix11A · 120
Against the original (5A at 85 BPM), this version runs 30 BPM faster and moves the key from 5A to 11A.
Come With Me - DBMM Remix runs 115 BPM in F♯ minor (11A), a mid-tempo progressive house record. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. Slower than 96% of Nora En Pure's catalogue.
- Groove:
- groovier than 95% of Nora En Pure's catalogue
- Energy:
- calmer than 93% of Nora En Pure's catalogue
- Low end:
- more treble-tilted than 77% of Nora En Pure's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Come With Me - DBMM Remix in?
Come With Me - DBMM Remix by Nora En Pure is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Come With Me - DBMM Remix?
Come With Me - DBMM Remix runs at 115 BPM, a mid-tempo track.
What mixes well with Come With Me - DBMM Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Come With Me - DBMM Remix good for peak time?
With energy 60 out of 100 at 115 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 115 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More progressive house
More from Nora En Pure
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
