Strategien gegen die Endlichkeit
- BPM
- 114
- Open Key
- 3m
- Energy
- 65/100
- Pop
- 2/100
- Length
- 4:38
- Released
- 2018
- Genre
- Progressive House
- Loudness
- -12.4 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Strategien gegen die Endlichkeit is a mid-tempo progressive house track in B minor (10A) at 114 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Slower than 96% of Nils Hoffmann's catalogue.
- Brightness:
- darker than 95% of Nils Hoffmann's catalogue
- Groove:
- less groove-driven than 82% of Nils Hoffmann's catalogue
- Reach:
- more underground than 78% of Nils Hoffmann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Strategien gegen die Endlichkeit in?
Strategien gegen die Endlichkeit by Nils Hoffmann is in B minor, or 10A on the Camelot wheel.
What BPM is Strategien gegen die Endlichkeit?
Strategien gegen die Endlichkeit runs at 114 BPM, a mid-tempo track.
What mixes well with Strategien gegen die Endlichkeit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Strategien gegen die Endlichkeit good for peak time?
With energy 65 out of 100 at 114 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 114 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 114 — beatmatch without a big tempo pull.
More progressive house
More from Nils Hoffmann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
