Every Damn Day
30s preview
- Key
- 9B · G major
- BPM
- 120
- Open Key
- 2d
- Energy
- 46/100
- Pop
- 19/100
- Length
- 6:47
- Released
- 2025
- Album
- Time To Reflect EP
- Genre
- Deep House
- Label
- Quality Vibe Records
- Loudness
- -14.2 dB
- Dynamics
- 12.5 dB
- ISRC
- GBKQU2508184
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Every Damn Day runs 120 BPM in G major (9B), a club-tempo deep house record. It reads as dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Calmer than 99% of Tilman's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 99% of Tilman's catalogue
- Reach:
- better known than 97% of Tilman's catalogue
- Groove:
- groovier than 94% of Tilman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Every Damn Day in?
Every Damn Day by Tilman is in G major, or 9B on the Camelot wheel.
What BPM is Every Damn Day?
Every Damn Day runs at 120 BPM, a club-tempo track.
What mixes well with Every Damn Day?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Every Damn Day good for peak time?
With energy 46 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 120 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from Tilman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
