Sunshine - Thomas Atzmann Remix
30s preview
- BPM
- 120
- Open Key
- 3d
- Energy
- 50/100
- Pop
- 0/100
- Length
- 7:20
- Released
- 2013
- Album
- Sunshine
- Genre
- Deep House
- Label
- Katermukke
- Loudness
- -9.5 dB
- Dynamics
- 11.8 dB
- ISRC
- DESH41300147
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sunshineoriginal9A · 122
- Sunshineoriginal9A · 122
- Sunshine - Krink's Solar Eclipse Remixremix8B · 118
Against the original (9A at 122 BPM), this version runs 2 BPM slower and moves the key from 9A to 10B.
At 120 BPM in D major (10B), Sunshine - Thomas Atzmann Remix is a club-tempo deep house production. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More underground than 99% of Just Emma's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 86% of Just Emma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Sunshine - Thomas Atzmann Remix in?
Sunshine - Thomas Atzmann Remix by Just Emma is in D major, or 10B on the Camelot wheel.
What BPM is Sunshine - Thomas Atzmann Remix?
Sunshine - Thomas Atzmann Remix runs at 120 BPM, a club-tempo track.
What mixes well with Sunshine - Thomas Atzmann Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Sunshine - Thomas Atzmann Remix good for peak time?
With energy 50 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 120 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from Just Emma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
