See You Everyday Alone - Dub Version
30s preview
- BPM
- 120
- Open Key
- 7d
- Energy
- 51/100
- Pop
- 0/100
- Length
- 6:24
- Released
- 2011
- Album
- Challenge Everyday
- Genre
- Tech House
- Loudness
- -13.2 dB
- Dynamics
- 11.0 dB
- ISRC
- DEDH71100042
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- See You Everyday Aloneoriginal3A · 120
- See You Everyday Aloneoriginal3A · 120
Against the original (3A at 120 BPM), this version holds the same tempo and moves the key from 3A to 2B.
A club-tempo tech house cut, See You Everyday Alone - Dub Version sits in F♯ major (2B) at 120 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2011 production that still circulates in sets. More underground than 99% of Solomun's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 94% of Solomun's catalogue
- Low end:
- more bass-heavy than 91% of Solomun's catalogue
- Energy:
- calmer than 81% of Solomun's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is See You Everyday Alone - Dub Version in?
See You Everyday Alone - Dub Version by Solomun is in F♯ major, or 2B on the Camelot wheel.
What BPM is See You Everyday Alone - Dub Version?
See You Everyday Alone - Dub Version runs at 120 BPM, a club-tempo track.
What mixes well with See You Everyday Alone - Dub Version?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is See You Everyday Alone - Dub Version good for peak time?
With energy 51 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 120 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Solomun
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
