Between ¾ Bars - Ole Biege Remix
- BPM
- 120
- Open Key
- 4m
- Energy
- 50/100
- Pop
- 0/100
- Length
- 6:54
- Released
- 2015
- Album
- Chee Pso Ng
- Genre
- Tech House
- Loudness
- -10.1 dB
- ISRC
- DEQ121532809
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Between ¾ Barsoriginal8A · 118
- Between ¾ Bars - Monkey Safari Remixremix6A · 122
Against the original (8A at 118 BPM), this version runs 2 BPM faster and moves the key from 8A to 11A.
Between ¾ Bars - Ole Biege Remix: club-tempo tech house, F♯ minor (11A), 120 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. More underground than 99% of Super Flu's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 95% of Super Flu's catalogue
- Brightness:
- darker than 91% of Super Flu's catalogue
- Energy:
- calmer than 79% of Super Flu's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Between ¾ Bars - Ole Biege Remix in?
Between ¾ Bars - Ole Biege Remix by Super Flu is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Between ¾ Bars - Ole Biege Remix?
Between ¾ Bars - Ole Biege Remix runs at 120 BPM, a club-tempo track.
What mixes well with Between ¾ Bars - Ole Biege Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Between ¾ Bars - Ole Biege Remix good for peak time?
With energy 50 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 120 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Super Flu
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
