I'm Gonna Get You - Original Mix
30s preview
- Key
- 9A · E minor
- BPM
- 120
- Open Key
- 2m
- Energy
- 52/100
- Pop
- 0/100
- Length
- 9:58
- Released
- 2009
- Album
- Pain in the Ass
- Genre
- Tech House
- Label
- REKIDS
- Loudness
- -9.6 dB
- Dynamics
- 20.9 dB
- ISRC
- GBLTF0900056
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I'm Gonna Get You - Melon's Deeper Instrumental Versionoriginal9B · 120
- I'm Gonna Get You - Melon's X Rated Versionoriginal9A · 120
- I'm Gonna Get You - Mendo Remixremix9B · 126
- I’m Gonna Get Youoriginal9B · 120
I'm Gonna Get You - Original Mix: club-tempo tech house, E minor (9A), 120 BPM. The groove is strong and floor-ready. The master keeps unusual dynamic range for club music (crest 21 dB). A 2009 production that still circulates in sets. More underground than 99% of Nina Kraviz's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more treble-tilted than 95% of Nina Kraviz's catalogue
- Tempo:
- slower than 93% of Nina Kraviz's catalogue
- Brightness:
- brighter than 84% of Nina Kraviz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 23%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is I'm Gonna Get You - Original Mix in?
I'm Gonna Get You - Original Mix by Nina Kraviz is in E minor, or 9A on the Camelot wheel.
What BPM is I'm Gonna Get You - Original Mix?
I'm Gonna Get You - Original Mix runs at 120 BPM, a club-tempo track.
What mixes well with I'm Gonna Get You - Original Mix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is I'm Gonna Get You - Original Mix good for peak time?
With energy 52 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 120 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Nina Kraviz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
