I'm Gonna Get You - Mendo Remix
30s preview
- Key
- 9B · G major
- BPM
- 126
- Open Key
- 2d
- Energy
- 77/100
- Pop
- 0/100
- Length
- 7:40
- Released
- 2010
- Album
- I'm Week
- Genre
- Techno
- Loudness
- -8.7 dB
- Dynamics
- 11.4 dB
- ISRC
- GBLTF1000079
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I'm Gonna Get You - Melon's Deeper Instrumental Versionoriginal9B · 120
- I'm Gonna Get You - Melon's X Rated Versionoriginal9A · 120
- I'm Gonna Get You - Original Mixoriginal9A · 120
- I’m Gonna Get Youoriginal9B · 120
Against the original (9A at 120 BPM), this version runs 6 BPM faster and moves the key from 9A to 9B.
A club-tempo techno cut, I'm Gonna Get You - Mendo Remix sits in G major (9B) at 126 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2010 production that still circulates in sets. More underground than 99% of Nina Kraviz's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is I'm Gonna Get You - Mendo Remix in?
I'm Gonna Get You - Mendo Remix by Nina Kraviz is in G major, or 9B on the Camelot wheel.
What BPM is I'm Gonna Get You - Mendo Remix?
I'm Gonna Get You - Mendo Remix runs at 126 BPM, a club-tempo track.
What mixes well with I'm Gonna Get You - Mendo Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is I'm Gonna Get You - Mendo Remix good for peak time?
With energy 77 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Nina Kraviz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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