
Doomsday
30s preview
- BPM
- 120
- Open Key
- 8d
- Energy
- 85/100
- Pop
- 48/100
- Length
- 4:12
- Released
- 2011
- Genre
- Drum N Bass
- Loudness
- -4.7 dB
- Dynamics
- 9.2 dB
- ISRC
- GBUM71105468
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Doomsday is a club-tempo drum n bass track in D♭ major (3B) at 120 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2011 production that still circulates in sets. Better known than 97% of Nero's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- less groove-driven than 85% of Nero's catalogue
- Tempo:
- slower than 83% of Nero's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Doomsday in?
Doomsday by Nero is in D♭ major, or 3B on the Camelot wheel.
What BPM is Doomsday?
Doomsday runs at 120 BPM, a club-tempo track.
What mixes well with Doomsday?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Doomsday good for peak time?
With energy 85 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 120 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More drum n bass
More from Nero
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.