Two Minds by Nero cover art

Two Minds

Nero

30s preview

Key
11A · F♯ minor
BPM
124
Open Key
4m
Energy
86/100
Pop
0/100
Length
3:35
Released
2015
Genre
Drum N Bass
Loudness
-4.1 dB
Dynamics
11.9 dB
ISRC
GBUM71501108

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 124 BPM in F♯ minor (11A), Two Minds is a club-tempo drum n bass production. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. More underground than 99% of Nero's catalogue.

Brightness:
brighter than 83% of Nero's catalogue
Tempo:
slower than 76% of Nero's catalogue
Groove:
groovier than 76% of Nero's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood41Balanced
Groove66
Acoustic3
Instrumental0
Live5
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Two Minds in?

Two Minds by Nero is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Two Minds?

Two Minds runs at 124 BPM, a club-tempo track.

What mixes well with Two Minds?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Two Minds good for peak time?

With energy 86 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 124 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 86/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More drum n bass

More from Nero

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track