Straight To Your Heart - Original Mix
30s preview
- BPM
- 125
- Open Key
- 9d
- Energy
- 80/100
- Pop
- 6/100
- Length
- 5:28
- Released
- 2014
- Album
- Straight To Your Heart
- Genre
- Progressive House
- Label
- Zerothree Music
- Loudness
- -7.7 dB
- Dynamics
- 15.5 dB
- ISRC
- GBJAJ1400333
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Straight to Your Heartoriginal4B · 173
- Straight To Your Heart - Radio Editversion4B · 125
Straight To Your Heart - Original Mix: club-tempo progressive house, A♭ major (4B), 125 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). A 2014 production that still circulates in sets. More treble-tilted than 87% of Grum's catalogue.
- Brightness:
- darker than 76% of Grum's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Straight To Your Heart - Original Mix in?
Straight To Your Heart - Original Mix by Grum is in A♭ major, or 4B on the Camelot wheel.
What BPM is Straight To Your Heart - Original Mix?
Straight To Your Heart - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with Straight To Your Heart - Original Mix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Straight To Your Heart - Original Mix good for peak time?
With energy 80 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 125 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
