Come Alive
30s preview
- BPM
- 124
- Open Key
- 4d
- Energy
- 77/100
- Pop
- 10/100
- Length
- 4:47
- Released
- 2022
- Album
- Unreality
- Genre
- Progressive House
- Label
- Anjunabeats
- Loudness
- -7.5 dB
- Dynamics
- 10.9 dB
- ISRC
- GBEWA2202414
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come Alive - Editversion11B · 124
- Come Alive - Tommy Farrow Remixremix11A · 124
- Come Alive - Einmusik Extended Mixversion1A · 124
- Come Alive - Extended Mixversion1A · 124
- Come Alive (Einmusik Remix)remix1A · 124
- Come Alive - Tommy Farrow Extended Mixversion11A · 124
Come Alive is a club-tempo progressive house track in A major (11B) at 124 BPM. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 79% of Grum's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 77% of Grum's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Come Alive in?
Come Alive by Grum is in A major, or 11B on the Camelot wheel.
What BPM is Come Alive?
Come Alive runs at 124 BPM, a club-tempo track.
What mixes well with Come Alive?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Come Alive good for peak time?
With energy 77 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 124 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Grum
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
