Bees - original by Sébastien Léger cover art

Bees - original

Sébastien Léger

30s preview

Key
3B · D♭ major
BPM
125
Open Key
8d
Energy
83/100
Pop
0/100
Length
9:23
Released
2011
Album
Bees
Genre
House
Loudness
-7.4 dB
Dynamics
9.9 dB
ISRC
US75Z1110006

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

  • Beesoriginal3B · 125

Bees - original: club-tempo house, D♭ major (3B), 125 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. More underground than 99% of Sébastien Léger's catalogue. For programming, treat it as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood41Balanced
Groove80
Acoustic0
Instrumental86
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Bees - original in?

Bees - original by Sébastien Léger is in D♭ major, or 3B on the Camelot wheel.

What BPM is Bees - original?

Bees - original runs at 125 BPM, a club-tempo track.

What mixes well with Bees - original?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Bees - original good for peak time?

With energy 83 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 83/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More house

More from Sébastien Léger

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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